Silence (2016)

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Silence, this religious epic, a dream project of director Martin Scorsese for decades, is somewhat difficult and unwieldy, as well as a bit gory, but it’s also magnificent, beautiful, and masterful.” – Common Sense Media ★★★★★

This is what makes Scorsese’s film so radical, and so unlike many other movies about religion: It’s actually art.” – The Atlantic ★★★★★

Returning to the ideas that haunted his whole career, Martin Scorsese delivers a film of grandeur and great fervour about Christianity, martyrdom and the silence of God. Sacrifice in the service of the greater good beckons to the ambiguous heroism of one man reaching a future of earthly peace and comfort, in the midst sin and humiliation. Martin Scorsese takes a fearless plunge into deciphering the silence of God in the midst of human suffering, drawing out a passion project of incomprehensible faith and power.

Following the 1966 passion novel by Shusaku Endo, Silence pays its small tribute to the extremely profound influence of Portuguese missionaries who risked their lives to bring the word of God to 17th century Japan. Andrew Garfield, with his eyes filled with fervour, stars as Father Sebastian Rodrigues. Adam Driver, his somewhat starved body resembling an ascetic saint, co-stars as Father Francisco Garupe. These two young Portuguese priests, fierce and full of determination, journey east to Japan in search of their missing mentor Father Cristovao Ferreira, played by Liam Neeson. Senseless rumours drain the village of his apposition to the Christian faith, but when Rodrigues and Garupe arrive in Japan they quickly realise just how viciously Christianity is being suppressed. What unfolds is a gruelling story of relentless faith under ruling samurai who are mercilessly committed to flushing out hidden Christians, any way they can.

Within Martin Scorsese’s’ creative collaboration with Jay Cocks, who also wrote The Age of Innocence, the script doesn’t wallow in the violent visuals, but rather utilises them as a way to reflect the horror of religious persecution. The introduction of doubt is the propeller of the film, considering 2 hours and 40 minutes of spirituality is unlikely to sell to an audience of Marvel Comic Universe-ites. In particular, Liam Neeson is phenomenal in reflecting his character’s reconciliation of conviction and doubt about God, in choosing to suffer with mankind instead of ending its suffering. This is the heart and soul of the film. But all of the performances in Silence are sensational, each character grabbing onto this intense, sacrificial dedication that pulses through their very veins. As Scorsese mentioned, “Silence is about the necessity of belief fighting the voice of experience.” And there is no doubt that Scorsese maintains a rigorous fix on the complexity of faith, refusing to temper with the film’s harshness with any form of sentiment. But to most visionaries’ delight, issues of this complexity are not designed to go down easy, but instead, they are entitled to live and breathe in the cinema air.

But if I can add a personal comment from a Christian point of view, something baffles me about the way faith wavers under pressure, even though martyrdom is so prominent today. *Spoiler alert* I hated the ending – I think he should have died for his faith.

But if I can add a personal comment, from a Christian point of view, something baffles me about the way faith wavers under pressure, even though martyrdom is so prevalent today. *Spoiler Alert* I hated the ending – I think he should have died for his faith.

The price for your glory is their suffering.

Silence is a technical, visual and soulful marvel with editing capacities that effortlessly overlap into pure cinematic art. No one with the genuine belief of the power of cinema should miss this epic creation of essential filmmaking from the modern master – a man who embodies the images he puts on screen.

… “I pray but I am lost, am I just praying to silence?

★★★★★

Imdb – 7.5/10  Rotten Tomatoes – 84%

 

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The Great Wall (2016)

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“A hybrid between a historical epic and an action fantasy, The Great Wall manages to be only a passable example of each genre, which makes it less memorable than it had the potential to be.” – Common Sense Media ★★☆☆☆

Matt Damon has earned his merits for action spectaculars with Saving Private Ryan, The Martian and the Bourne films, yet veteran Chinese filmmaker Zhang Yimou is an action world class master. Following Hero, House of Flying Daggers and the unforgettable 2008 Beijing Olympics ceremonies, Zhang Yimou teams up with the US for the co-production of the century, a whopping $150 million dollar project. And the result in a nut shell? It takes a white Hollywood A-List actor to save the Chinese world.

The Great Wall, a monument decorated with history, prestige and nobility, a place where the walls whisper ancient myths- and this is one of them. Matt Damon is William and Pedro Pascal is Tovar, two 12th century European mercenaries who scope the deserts of Western China looking for mysterious black powder. In the search for riches and fortune, the two best-friends push toward the Great Wall to make a deal, where they are met with a spray of arrows and an immensely organised and colourful Chinese army. Zhang keeps this swirl of colour, light and dizzying action as almost a distraction from the plot, which unfolds miraculously from a plan to escape.

The Great Wall’s action scenes exemplify a sense of fierce determination and precision, a shared responsibility that one will rarely discover in action spectaculars. Not only is the film thrillingly large scale, but it is visually euphoric, an artwork of colour and beauty amidst a prominence of computer-generated imagery. Although the film is often well-choreographed, it is very easy to be seduced by scenes of impersonal warfare and battle. But as the fighting slows down, and the characters evolve, there is little spark between our Caucasian and Chinese performers. But this is simply because The Great Wall is unlike any American blockbuster you’ve ever ever ever seen, and character development is minimally the focus in the inventive and thrilling action pieces that evolve before your very eyes.

I was born into battle.

I have little to say about The Great Wall, other than its fantastic ability to work as an action-adventure spectacular. In this, we see the triumph of the Chinese as sacrificial, determined and relentless warriors, in what can only be described as a tribute to China’s war history. But in the midst of this fierce patriotism is an entertaining blockbuster with eye-popping and breathtaking cinematography – that only follows the simplistic plotting of a Chinese myth. Watch this blockbuster on the biggest cinema screen you can find.

★★☆☆☆

Imdb – 6.3/10  Rotten Tomatoes – 36%

Hidden Figures (2016)

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The remarkable untold story of three African-American women who engineered America’s triumph in the space race, and ultimately women’s rights. Crashing through the $100 million barrier at the Box Office on opening weekend, and earning itself a Best Picture nomination at the Academy Awards, Hidden Figures has gained wonderful momentum worldwide. The world was captivated by the Friendship 7 mission, the first US attempt to match the Russians, and in the heat of the space race Glenn became a national hero. But behind the scenes the immense contribution was much less known.

Katherine Johnson, played by Taraji P. Henson, has an impeccable eye for solving incomprehensible equations, evident from her first scholarship – in which she surpasses her classmates (and teacher) by lightyears. Many years later, working alongside Mary Jackson, Janelle Monae, and Dorothy Vaughn, Octavia Spencer, in the segregated West Computing Group for NASA, Katherine becomes a human computer calculating advanced math for the space program. But despite the intensity and significance of their work, the women are relegated to separate bathrooms, lunch rooms and work facilities. After being bumped up to NASA’s Headquarters to check space-flight calculation trajectories, what unfolds for Katherine is a battle against white supremacy for recognition, respect and fundamental equality.

Octavia Spencer, who received an Oscar nomination Best Supporting Actress, plants her feet into a stubborn, assuring and mesmerising role as computation expert. The contrast between Spencer and her white supervisor, Kirsten Dunst, promotes the invaluable truth of the Civil Rights Movement – the oblivious racism, embedded into the unconsciousness of simple Americans. Yet here, Hidden Figures takes one enormous aspect of history and displays it beautifully, never once stopping to shove it into your face. Janelle Monae does an incredible job in driving the simplicity of emotion, conveying the underdog protagonist who is met with challenges but wins them over trope. But Hidden Figures manages to apply this formula spectacularly to tell an inspiring story. And of course, the phenomenal Taraji Henson shines among her tea-fed white male colleagues – drawing out the beautiful message of the film to inspire and encourage the world.

Every time we get a chance to get ahead they move the finish line, every time.

The wonderful women who carry Hidden Figures, display brilliance and authenticity to the very moment the credits roll down the screen. After walking out of the bustling (and in my case packed) movie theatre, your mind will soak in inspiration, fulfilment and encouragement remembering the film as being entirely wonderful. Let this film remind you that despite any hurdles, we can still cross the finish line. Breath-taking stories don’t stay hidden for long. This heart-winning film is one that cannot be missed.

★★★★★

Imdb – 7.9/10  Rotten Tomatoes – 92%