Into the dark you tumble into Alice Through the Looking Glass; James Bobin’s wild, witty and extravagant take on Lewis Carroll’s illusory hallucinations. Visually, the certainty that the two imaginative artists were made for each other is realized exquisitely, matched with a haunting design for Wonderland, a seamless meeting of live action with animation and picturesque charm. But the story is now far less Carroll and Burton than Bobin taking flight with a script crafted by Linda Woolverton, who references and incorporates characters in a way that answers our curious and curiouser childish wonders.
Replacement director James Bobin takes the reigns for this sequel, following Alice’s travels into the past to prevent the Jabberwocky from roasting Mad Hatter’s parents. Frolicking with other whimsical wonderland creatures, Hatter is suddenly triggered by discarded trash that reminds him of his estranged, long-gone family. Hatter pleads and finally convinces Alice that she must find them and bring them back … even if they are now long passed. Hatter’s whacky crazy madness is in the fabric of this film, and Alice’s journey of restoring harmony to wonderland again will leave you asking for more. Trust me, by the conclusion of the film you will know all of the little secrets you didn’t even know you wanted to know. Looking Glass is a dream come true.
Bobin takes Burton’s film and escalates it in an effort to not only continue the Disney run of adaptations, but to potentially recapture the immense success of the first film. But above the film’s strenuous attempts to resonate with larger personal themes of loss, strife and time, Looking Glass is a selling spectacle … and a good one at that. Bobin has a fantastic eye for visual effects, but this often pushes him from diverting tedious to deafening, as the bright colours and movement strain to draw the illusion of a film with a story to tell. But Sacha Baron Cohen doesn’t fail to bring an outstanding performance as Time. He’s derisive, obnoxious and crazy about the Red Queen. Time is truly spectacular. It serves as yet another reminder that the Borat actor is proficient in depths rarely explored by other filmmakers. Otherwise, character development is mind-numbing, conflict is dull and the backstories are painfully predictable.
Alice Through the Looking Glass is pervasive of the blockbuster model in painful ways. But stemming from my never failing love of Alice in Wonderland, I still enjoyed it immensely. Bobin applies more absurdity and more surrealism into Alice’s sense of fantasy, while weakly contributing to the overarching central story. He creates magical spectacles and forefronts in a world-class tech reel, capturing the dreamlike wonderland we know and love in an earnest and spectacular way. But if I can sum up Alice Through the Looking Glass in one sentence: it’s like holding a vivid, colourful balloon that deflates a little more every second you hold onto it.