Home Again (2017)

home again

‘This is one of those brightly lit Hollywood romcoms with commercial-style acting and precious little insight into human behavior. It’s built on thin contrivances and thinner characters.’ Michael Ordona csm

My loyalty to Reese Witherspoon and Nancy Meyers, who produced The Holiday, The Intern and It’s Complicated (all films I loved), pulled me on board for the most recent addition to the romantic comedy genre. Here, amateur writer and director daughter of Nancy Meyers, Hallie Meyers-Shyer, juggles appealing younger men, outrageously expensive interiors and coddled well-off people in the hope of creating a warm romance, but didn’t quite hit the mark. My biggest mistake was coming to Home Again after watching the triumphant Big Little Lies, so be aware that the two are practically polar opposite – except maybe Witherspoon dropping off her kids to school in an expensive SUV. Home Again is here to please, so it’s very pure and very simple.

Witherspoon is Alice, a newly separated 40 year old interior designer with two beautiful daughters, who has just moved back to her late director father’s LA home. Her sheepish, rumpled and still wildly-in-love husband Michael Sheen is back in New York, desperate to patch things up. On the eve of her 40th birthday celebrations, Alice meets three young wannabe filmmakers with a dream of succeeding in LA. Opening up her lavish garden house for their use during their time making it in LA reels in an odd but sweet makeshift family, the combined traits of everything her ex-husband should have been. The house guests become unpaid child-care providers, tech troubleshooters and man candy, and of course from here on out the rest of the movie is pretty predictable.

Meyers-Shyer had previously mentioned that Home Again was a reflection of the struggles of young divorced women combined with a gender twist on May-December romances, which is interesting enough. But Alice’s hurdles are not relatable to the majority of its viewers, considering they all blow over once she gains the courage to verbally confront them. So inevitably, you are pulled into an alternate reality where everything is just as beautiful on the inside as the outside, and the rich and famous inhabit every luxury on a silver platter. Following her award worthy work in Wild and Big Little Lies, this is an inevitable step backwards for Witherspoon, yet there is something different and oddly charming that appeals to this light hearted rom-com.

If you’re at the cinemas in Australia this weekend, you practically have to pick from The Snowman, Geostorm, Kingsman, Home Again, Blade Runner 2049 or Captain Underpants – i would pick the latter, or if that isn’t your cup of tea, then Blade Runner. But if you’re after a light hearted, slightly disappointing, sometimes funny but overall satisfying romantic comedy you’ll find exactly what you’re looking for in Home Again.

★★☆☆☆

IMDb – 5.7/10  Rotten Tomatoes – 30%

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The Mountain Between Us (2017)

idris-elba-fighter-kate-winslet-the-mountain-between-us

Every once in a while you stumble upon something that makes you fall in love all over again, with that irresistible magic that first sparked your passion. Every movie lover can trace their journey back a few years, or possibly decades, to the moment that they first realised movie magic existed. I honestly never thought that Idris Elba and Kate Winslet would take me there, back to that dim little movie theatre on the corner of James and Robertson Street. Looking back now, I realise this is probably a movie I enjoyed a lot more than I “should have” (because in reality The Mountain Between Us has almost altogether flopped,) but I at least hope you can agree that there is nothing not to love about Elba and Winslet on a snowy mountain, battling for survival in what is almost an adventurous romance.

Kate Winslet is the free-spirited Alex, a photojournalist eagerly awaiting her wedding the following morning, while Idris Elba is the straight-laced Ben, a brain surgeon who must desperately operate on a dying 10 year old boy interstate. An impending storm has stranded them both at Salt Lake City Airport, with little choice but to wait out until the morning. With everything at stake, the pair persuade a local charter pilot to fly them across deadly mountain ranges, with little concern for local aviation or the pilot’s failing personal health. And so it goes, a sudden fatal stroke cascades the plane into the snowy peaks of Utah and we are left to pick up the pieces of their extraordinary battle for survival. I don’t have to fill in the gaps here, as I’m sure your mind is already drifting to the many injuries, hypothermia … or maybe even mountain cougars, you’ll see it all.

Kate Winslet once survived a sinking ship in Titanic, and Idris Elba once thrived on the streets of Baltimore in The Wire. There is no reason why these dynamic actors shouldn’t carry enough dramatic weight between them to elevate a trek through the desolate snow-blanketed mountain ranges. But instead, they find themselves floating somewhere between drama and soap opera. But here I’ll attribute Elba’s surprising awkwardness to his first-ever crack at romantic lead, (p.s. just as you might have hoped he is nothing short of dreamy.) Based on the novel by Charles Martin, and propelled by the screenplay collaboration of Chris Weitz and J. Mills Goodloe, who share a wide scope of successful romance films between them, The Mountain Between Us has all of the mesmerising elements to succeed. Add Palestinian director Hany Abu-Assad, the visionary behind Paradise Now and Omar (a love story, mind you) and there’s no room for fault. But here the once epic vision fails and instead the beautiful mountains begin to look more like molehills.

Right – but coming back to my dramatic spiel in the beginning. For a reason unbeknown to me, I was enveloped in the charasmatic charm, mystery, drama and unfolding romance, so much so I almost shed a happy tear. The film may have altogether tumbled and it might have been dramatically corny, but my romantic soft spot overcame. So if you’re weighing up whether to watch this one, you need to first consider the pros and cons for yourself in order to really derive a solution. If you read this review and at any moment in time you felt compelled to throw up, I am inclined to tell you that this is definitely not a movie I would recommend for you. It’s so bad that it’s really good!

Here’s what the professional critics had to say … ‘This romantic drama is most compelling as a mild story of survival adventure. Contemporary romances often stumble over the first hurdle: Their dramatic obstacle.’ – Michael Ordona, Common Sense Media or ‘A perfect title for a movie in which neither the subzero temperature nor the romantic heat penetrates more than skin deep.’ – Peter Debruge, Variety

IMDb – 6.2  Rotten Tomatoes – 43%

★★★☆☆