All monster films fall into two kinds of categories – one that takes its time to reveal the monster and one that shows you the monster straight away. The star of this show is front and center for the entire 118 minute running time. We’re all accustomed to the mighty King Kong from Merian Coopers’ 1933 original all the way to 2005’s Jack Black reboot, there are just way too many spiels to list. But you’ll be happy to know this remake is engaging, mesmerising and Tom Hiddleston (I’m sold).
Jordan Vogt-Roberts’ reset of the Kong legend returns to 1973, as the last American troops are pulling out of Vietnam. Colonel Packard, played by Samuel L. Jackson (I’m sold sold), is reluctant to leave the battlefield, suspended in an existential crisis as the war draws to a close. Packard’s right-hand man Chapman, Toby Kebbell, looks forward to returning home to his son, as do all of the other helicopter squadron members do. But on the other side of the world, Government representative John Goodman relentlessly pursues a hollow-earth theory expedition on Skull Island. A land mass perpetually overcast by violent storms, there is no limit to what could be discovered. He hires James Conrad, Tom Hiddleston, to be the skilled tracker on the mission to chronicle any findings, and piggybacks on the helicopter squadron to discover monsters, bombs and a grizzly John C. Reilly (Step Brothers).
Vogt-Roberts and the film’s screenwriting trio play out the occasionally troubling conflicts of Vietnam on the backdrop of a panicked survival group attempting to escape a forbidden island. The period setting throughout Skull Island is based on an appealing soundtrack by the stooges and Jefferson Airplane, but the updated man-vs-beast conflict of previous King Kong tales roots in the blood-soaked anxiety of war. The cycle of war is astonishing, and superbly written – unlike anything you’ve seen in any other King Kong film. The island is richly bathed in colour of both natural and post-production, but this unique style sets it apart from any modern re-imagining. Designs are impressive, creations are emotive and breathtaking … it’s showy … but it works.
Skull Island takes on the role of mixing in memorable actors in even the smallest parts of the film. Few of the characters are built upon more than an introduction or a rapid-survival failure. John C. Reilly is particularly spot-on, with a mix of mania and sorrow, in the middle of an extravagant tale of monsters. Goodman is a selfish deadpan, Jackson derails with his eyes fuming with rage and Larson delivers a kind of kindness and compassion that causes Hiddleston to run around in gas masks for her. The cast is sensational really, and in my opinion a great combination for an epic spiel like this one.
Perhaps the most satisfying part of Kong comes after you’re done reeling from the fun of the film. This definitely won’t be the last we see of this fantastic ape, but it’s the kind of messy enjoyable throwback that will leave you wanting more.
Imdb – 7.1/10 Rotten Tomatoes – 79%